The Goddess goes through many cycles of varied lengths, and She returns over and over in many forms. Here, She appears in a painting by the Neapolitan master Giovanni Ricca, probably made around 1630.
Note the play of light and shadows on the face of this beautiful woman - reminding those of the half moon. The human features of this image are, probably, those of Ricca's wife, Caterina Rossa ("Red Catherine") as she appears in a red dress in the full painting. But she is just an avatar of the true Goddess.
If you ever thought that Baroque painting was all about mannerism, think it over. If you think that no Baroque master could emulate the master of them all, Caravaggio, think it over. This is a painting that, alone, can justify the existence of the human species as it evolved in order to, eventually, produce it.
But women partake the nature of the Moon Goddess in many forms, and sometimes you don't even need a master painter to see it appear, as it does in this image of Ugo Bardi's daughter, Donata, photographed in 2016 at the Escher Museum in Delft, Holland.
